Islamic Calligraphy Art Style Khat

jasa kaligrafi masjid

According to Riyād Salih (1985: 31) that khat art has been divided into two arrangements,
The first order is based on the letters below:
أ-ب-ج-د-ه-و-ز-ح-ط-ي-ك-ل-م-ن-س-ع-ف-ص-ق-ر-ش-ت-ث-خ- ض-ظ-غ
The order of the letters is recited, so scholars have listed the letters
that is to become a word that is easy to learn and memorized and written by
SKI writers are usually memorized in general Islamic children. Thus, the
Arabic scholars have listed them without looking at the implicit meaning behind them
the listing (Mohd Bakhir Hj Abdullah, 2006: 121-122). But their goal
is to provide a means of writing and memorization, such as the example of letters
connect the following:
أبجد, هوز, حطي, كلم, نسع, فصق, رشت, ثخد, ضظغ

Indeed, the order of the above letters has been easier for
every Muslim to study al-Quran and al-Karim letters until today.
In addition, the arrangement makes it easier for children to learn writing
Arabic letters became a calligraphy art. The SKI is also growing with features
the difference in the pattern with the other arts in the world. Pattern and shape
which is owned by this calligraphy art makes the face and pattern more unique and beautiful,
as well as encouraging experts and writers to continue to work
for them to create more perfect forms of calligraphy.

About SKI’s work that has evolved in various areas of the Malay World,
the use of more extensive and growing calligraphy art forms in the Islamic World,
so it does not give birth to new patterns and forms according to the area
respectively. Even writing mostly mimics and copies the kinds of calligraphy
which is as widely used by earlier SKI writers to
now. According to Riyād Salih (1985: 31; also Mohd. Bakhir Hj. Abdullah 2006: 122), SKI
has spread to all parts of the world based on the letters 28 (twenty
eight) existing hijaiyah. The arrangement changed when it reached the Malay World,
as follows:
أ-ب-ت-ث-ج-ح-خ-د-د-ر-ز-س-ش-ص-ض-ط-ظ-ع-غ-ف-ق-ك-ل-م- ن- و-ه-ي-ء

While the letters have been modified and learned into writing letters
Jawi by adding some extra letters, to Arabic letters that have been accepted
its use to adapt to the Malay language style (Abd Rahman
Hamzah, 2008: 124), among the 6 (six) additional letters it is (ث, (ca (ج, (ga
(ك ((غ, (pa (ف, (and va (و) (Nurul Makin, 1995: 98 and Muhammad Bukhari Lubis et al.,
2014: 16). The additional Jawi letters from this hijaiyah letter have the characteristics
in contrast to the other hijaiyyah letters. Therefore, to empower Jawi writing
this, it should always accompany the development of Islamic calligraphy in the Malay world so that it does not
less beautiful and interesting when used in various calligraphy or shapes
other art.

Mohamed Anwar Omar Din (1989: 57), thinks that the prominence of forms
SKI writings, which are the attributes of this art are always found in different places
now in the Malay World, the features are in two patterns:
First, what is termed ‘versatile verses’ is written on a regular basis
horizontally overlapping layers as usual in ordinary writing.
Second, the so-called ‘layered verses’ are overlapping letters
layer either vertically or vertically, other than that there is also
the arabesque art of arabesque especially with the motif and
pattern of plants.

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So there are so many patterns and important forms of this Islamic calligraphy, which are
growing in the Malay world. This growth is the one that has long been one activity
still calligraphers in several places and regions in the archipelago. It can also be
hopefully to produce great SKI writers can be comparable to
other writers in the world. Additionally, through this view is expected to see
The description of the type of Islamic calligraphy that is known to be very common use in Nature
Malay, although many other types of calligraphy ever used and
even used in the archipelago. But these kinds of calligraphy are many
dominates the artistic decorations of calligraphy in the Malay World. Hopefully this too
can give birth to the pattern and the perfect form of theory or painting that can be used
in various places as a liaison of artistic expertise that can attract the hearts of the people
art, artists, Muslims and non-Muslims.

According to Riyād Salih (1985: 31) that khat art has been divided into two arrangements,
The first order is based on the letters below:
أ-ب-ج-د-ه-و-ز-ح-ط-ي-ك-ل-م-ن-س-ع-ف-ص-ق-ر-ش-ت-ث-خ- ض-ظ-غ
The order of the letters is recited, so scholars have listed the letters
that is to become a word that is easy to learn and memorized and written by
SKI writers are usually memorized in general Islamic children. Thus, the
Arabic scholars have listed them without looking at the implicit meaning behind them
the listing (Mohd Bakhir Hj Abdullah, 2006: 121-122). But their goal
is to provide a means of writing and memorization, such as the example of letters
connect the following:
أبجد, هوز, حطي, كلم, نسع, فصق, رشت, ثخد, ضظغ

Indeed, the order of the above letters has been easier for
every Muslim to study al-Quran and al-Karim letters until today.
In addition, the arrangement makes it easier for children to learn writing
Arabic letters became a calligraphy art. The SKI is also growing with features
the difference in the pattern with the other arts in the world. Pattern and shape
which is owned by this calligraphy art makes the face and pattern more unique and beautiful,
as well as encouraging experts and writers to continue to work
for them to create more perfect forms of calligraphy.

About SKI’s work that has evolved in various areas of the Malay World,
the use of more extensive and growing calligraphy art forms in the Islamic World,
so it does not give birth to new patterns and forms according to the area
respectively. Even writing mostly mimics and copies the kinds of calligraphy
which is as widely used by earlier SKI writers to
now. According to Riyād Salih (1985: 31; also Mohd. Bakhir Hj. Abdullah 2006: 122), SKI
has spread to all parts of the world based on the letters 28 (twenty
eight) existing hijaiyah. The arrangement changed when it reached the Malay World,
as follows:
أ-ب-ت-ث-ج-ح-خ-د-د-ر-ز-س-ش-ص-ض-ط-ظ-ع-غ-ف-ق-ك-ل-م- ن- و-ه-ي-ء

Read Related Articles:  Arabic Calligraphy Art, Art of Writing Islamic Calligraphy

While the letters have been modified and learned into writing letters
Jawi by adding some extra letters, to Arabic letters that have been accepted
its use to adapt to the Malay language style (Abd Rahman
Hamzah, 2008: 124), among the 6 (six) additional letters it is (ث, (ca (ج, (ga
(ك ((غ, (pa (ف, (and va (و) (Nurul Makin, 1995: 98 and Muhammad Bukhari Lubis et al.,
2014: 16). The additional Jawi letters from this hijaiyah letter have the characteristics
in contrast to the other hijaiyyah letters. Therefore, to empower Jawi writing
this, it should always accompany the development of Islamic calligraphy in the Malay world so that it does not
less beautiful and interesting when used in various calligraphy or shapes
other art.

Mohamed Anwar Omar Din (1989: 57), thinks that the prominence of forms
SKI writings, which are the attributes of this art are always found in different places
now in the Malay World, the features are in two patterns:
First, what is termed ‘versatile verses’ is written on a regular basis
horizontally overlapping layers as usual in ordinary writing.
Second, the so-called ‘layered verses’ are overlapping letters
layer either vertically or vertically, other than that there is also
the arabesque art of arabesque especially with the motif and
pattern of plants.

So there are so many patterns and important forms of this Islamic calligraphy, which are
growing in the Malay world. This growth is the one that has long been one activity
still calligraphers in several places and regions in the archipelago. It can also be
hopefully to produce great SKI writers can be comparable to
other writers in the world. Additionally, through this view is expected to see
The description of the type of Islamic calligraphy that is known to be very common use in Nature
Malay, although many other types of calligraphy ever used and
even used in the archipelago. But these kinds of calligraphy are many
dominates the artistic decorations of calligraphy in the Malay World. Hopefully this too
can give birth to the pattern and the perfect form of theory or painting that can be used
in various places as a liaison of artistic expertise that can attract the hearts of the people
art, artists, Muslims and non-Muslims.